{"id":5415,"date":"2018-02-06T12:04:06","date_gmt":"2018-02-06T11:04:06","guid":{"rendered":"http:\/\/festival-resistances.fr\/?page_id=5415"},"modified":"2021-10-12T08:49:02","modified_gmt":"2021-10-12T06:49:02","slug":"films-a-a-z-2018","status":"publish","type":"post","link":"https:\/\/festival-resistances.fr\/ancien\/2018\/films-a-a-z-2018\/.html","title":{"rendered":"Films A \u00e0 Z 2018"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb3.22″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ admin_label=\u00a0\u00bbrow\u00a0\u00bb _builder_version=\u00a0\u00bb3.25″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.27.4″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Les films de l’\u00e9dition 2018 class\u00e9s de A \u00e0 Z<\/h4>\n

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Femmes rurales en mouvement (Mulheres rurais em movimento)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Lavelanet : L’apprenti<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Saint-Girons : Le moindre geste<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Tarascon : Drop of sun<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Ax-les-Thermes : Les Anges portent du blanc<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Tes cheveux d\u00e9m\u00eal\u00e9s cachent une guerre de sept ans<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Les Gracieuses<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Refugiado<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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\u00c0 contretemps<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Los Pastre<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Actoras de cambio<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Six fois deux : Louison, 1b<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Blind dates<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Un vent de libert\u00e9<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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La sati\u00e9t\u00e9 s\u00e9mantique<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Deda<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Sans adieu<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Supervenus<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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La M\u00e9canique sexiste<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Jeu de soci\u00e9t\u00e9<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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L’installation<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Copier Cloner<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Cajou<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Tutti Sporty<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Ma vie de courgette<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Cath\u00e9drales (Les)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Food<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Beetle Trouble<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Pa\u00ef, l’\u00e9lue d’un peuple nouveau<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Cheminots<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Family Life<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Mustang<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Les premiers, les derniers<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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30 % percent (women and politics in Sierra Leone)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Saule Marceau<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Terre \u00e7a vaut de l’or (La)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Raising Resistance<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Terre \u00e9ph\u00e9m\u00e8re (La)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Cahos<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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La chanson de la pluie<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Le vilain petit carr\u00e9<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Quelque chose<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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La soupe au caillou<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Neighbourwood<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Le ch\u00e2teau des singes<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Le vent dans les roseaux<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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La cage<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Au fil de l’\u00e2ge<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Sametka, la chenille qui danse<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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A tire d’aile<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Margarita<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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La chasse aux dragons<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Dentelles et dragons<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Lili Pom<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Paris pieds nus<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Odd Job Man<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Olga<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Kleptomami<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Pussy<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Pink cuts Pink<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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L\u00e9gende de Jean L’invers\u00e9<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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8<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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El Escarabajo al Final de la Calle (Le scarab\u00e9e au bout de la rue)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Le grand plongeoir<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Relaxatron 5000<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Etat d’alerte sa m\u00e8re<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Magic Alps<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Pray<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Nothing co.<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Nature : all nights reserved<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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The Chop<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Fra\u00eecheur d’Avril (Aprilis Sushki)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Repentir (Le)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Speechless<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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When the earth seems to be light<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Listen to the silence<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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City of the sun<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Un dragon dans les eaux pures du caucase<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Keep smiling<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Mandarines<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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L’autre rive<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Bel horizon (Le)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Parcelle (La)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Liberterres (Les)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Trait de vie<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Walls & The Tiger<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Ana\u00efs s’en va en guerre<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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S\u00e9mences du futur<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Tous diff\u00e9rents, tous citoyens<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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In between<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Un r\u00e9cital lexical<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Mon petit fr\u00e8re de la lune<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Les malades de l’imaginaire<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Jean Ziegler, l’optimisme de la volont\u00e9<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Antoine<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Le\u00e7on de choses<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Dialogue au sommet<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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La force des choses<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Vers le sud<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Ainsi squattent-ils<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Le conseiller<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Heimat<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Enfin des bonnes nouvelles<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Derniers jours \u00e0 Shibati<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Comme des lions<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
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Kapitalistis<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Alcool, drogues, m\u00e9dicaments et Rock\u2019n roll<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Foliesophies<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Une fen\u00eatre ouverte<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Au jour le jour, \u00e0 la nuit la nuit<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Derni\u00e8res nouvelles du cosmos<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Nous les intranquilles<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Normal Autistic Film<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Fille ou gar\u00e7on, mon sexe n’est pas mon genre<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Il n’y a pas mort d’homme<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Ouvrir la voix<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Fleurs du bitume (Les)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Aya<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Vie domestique (La)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Horn<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

\u00c0 quoi r\u00eavent les jeunes filles<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

R\u00e9ponse de femmes<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Bye bye les puceaux<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Vers la tendresse<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Primas<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Vilaine fille (K\u00f6t\u00fc Kiz)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Une autre montagne (Baska Bir Da\u011f)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Matria<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

L’arbre sans fruit (The Fruitless Tree)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Faux Bindi (Counterfeit Kunkoo)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Billy Elliot<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Patients<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

L\u00e9j\u00e0 (Le)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Belle saison (La)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Usine de rien (L’)<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

12 jours<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Mandarines<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t\n\t \n\t\t

Petit paysan<\/h3>\n\t <\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Un film d’Hubert Charuel Fiction, 90 min, VOF France, 2017 Pyramide Films Hubert Charuel, fils de paysans, nous plonge dans le quotidien d\u2019une ferme d\u2019\u00e9levage de vaches laiti\u00e8res.Les acteurs, professionnels ou pas, incarnent des personnages plus vrais que nature. Ce pourrait \u00eatre un documentaire sur la crise de la vache folle, le d\u00e9sespoir d\u2019un paysan […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-5415","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"\nFilms A \u00e0 Z 2018 - Festival R\u00e9sistances<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/festival-resistances.fr\/ancien\/2018\/films-a-a-z-2018\/.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Films A \u00e0 Z 2018 - Festival R\u00e9sistances\" \/>\n<meta property=\"og:description\" content=\"Un film d'Hubert Charuel Fiction, 90 min, VOF France, 2017 Pyramide Films Hubert Charuel, fils de paysans, nous plonge dans le quotidien d\u2019une ferme d\u2019\u00e9levage de vaches laiti\u00e8res.Les acteurs, professionnels ou pas, incarnent des personnages plus vrais que nature. 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