{"id":21347,"date":"2021-06-16T14:24:07","date_gmt":"2021-06-16T12:24:07","guid":{"rendered":"https:\/\/festival-resistances.fr\/2021\/julien-bourges-change\/.html"},"modified":"2021-10-11T17:29:26","modified_gmt":"2021-10-11T15:29:26","slug":"rithy-panh","status":"publish","type":"post","link":"https:\/\/festival-resistances.fr\/ancien\/2021\/rithy-panh\/.html","title":{"rendered":"Rithy Panh"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ module_class=\u00a0\u00bbfilm\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.8″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.9.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.5.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.4″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_post_title][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.4.8″ custom_padding=\u00a0\u00bb|||0px||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.4.8″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/festival-resistances.fr\/ancien\/wp-content\/uploads\/re\u0301sistances-2021-2-scaled.jpg\u00a0\u00bb alt=\u00a0\u00bbRithy Panh 2021″ title_text=\u00a0\u00bbRithy Panh 2021″ _builder_version=\u00a0\u00bb4.11.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb0px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.11.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb12px\u00a0\u00bb custom_margin=\u00a0\u00bb-3px||||false|false\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n

(C) C\u00e9cile Pomier<\/p>\n

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Rithy Panh arrive en France \u00e0 la chute du r\u00e9gime Khmer Rouge en tant que r\u00e9fugi\u00e9 apatride. Apr\u00e8s avoir \u00e9tudi\u00e9 en France \u00e0 l’Institut des Hautes Etudes Cin\u00e9matographiques (IDHEC) dans les ann\u00e9es 80, il signe son premier documentaire, Site 2<\/em>, centr\u00e9 sur les camps de r\u00e9gi\u00e9\u00b7e\u00b7s cambodgien\u00b7ne\u00b7s, en 1989.<\/p>\n

Son premier film est remarqu\u00e9 dans de nombreux festivals et Rithy Panh n’aura d\u00e8s lors de cesse de montrer la trag\u00e9die de son pays \u00e0 travers des documentaires comme La Terre des \u00e2mes errantes<\/em> (1999) ou des long-m\u00e9trages de fiction tels que Les Gens de la rizi\u00e8re<\/em> (Comp\u00e9tition officielle au Festival de Cannes 1994) et Un soir apr\u00e8s la guerre<\/em> (pr\u00e9sent\u00e9 dans la section Un certain Regard<\/em> en 1998). Rithy Panh r\u00e9alise en 2003 le documentaire unanimement c\u00e9l\u00e9br\u00e9 S21, la machine de mort khm\u00e8re rouge<\/em>, dans le quel il film la rencontre entre les victimes et les bourreaux du g\u00e9nocide cambodgien. Il y\u00a0 pr\u00e9sente hors-comp\u00e9tition Les Artistes du th\u00e9\u00e2tre br\u00fbl\u00e9<\/em> en 2005, film \u00e9voquant l’id\u00e9e que l’artiste n’a plus sa place ni la parole dans la soci\u00e9t\u00e9 cambodgienne contemporaine. Apr\u00e8s avoir film\u00e9 le quotidien tragique de prostitu\u00e9es dans le documentaire Le Papier ne peut pas envelopper la braise<\/em>, il dirige Isabelle Huppert<\/strong> et Gaspard Ulliel <\/strong>en 2009 dans le drame Un barrage contre le Pacifique<\/em>, adapt\u00e9 du roman de Marguerite<\/strong> Duras<\/strong>. En 2013, il obtient le prix Un certain Regard<\/em> au festival de Cannes et une nomination aux Oscars pour L’image manquante<\/em>. Les tombeaux sans noms<\/em> fait partie de la s\u00e9lection de la Mostra de Venise en 2018 et en 2020, Irradi\u00e9s <\/em>pr\u00e9sent\u00e9 en comp\u00e9tition \u00e0 la Berlinale y re\u00e7oit le prix du meilleur documentaire.<\/p>\n

Film associ\u00e9 : Irradi\u00e9s<\/em><\/strong><\/a><\/p>\n

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(C) C\u00e9cile PomierRithy Panh arrive en France \u00e0 la chute du r\u00e9gime Khmer Rouge en tant que r\u00e9fugi\u00e9 apatride. Apr\u00e8s avoir \u00e9tudi\u00e9 en France \u00e0 l’Institut des Hautes Etudes Cin\u00e9matographiques (IDHEC) dans les ann\u00e9es 80, il signe son premier documentaire, Site 2, centr\u00e9 sur les camps de r\u00e9gi\u00e9\u00b7e\u00b7s cambodgien\u00b7ne\u00b7s, en 1989. Son premier film est […]<\/p>\n","protected":false},"author":1,"featured_media":22048,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[271,281],"tags":[],"class_list":["post-21347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-271","category-invites-2021"],"yoast_head":"\nRithy Panh - Festival R\u00e9sistances<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/festival-resistances.fr\/ancien\/2021\/rithy-panh\/.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rithy Panh - Festival R\u00e9sistances\" \/>\n<meta property=\"og:description\" content=\"(C) C\u00e9cile PomierRithy Panh arrive en France \u00e0 la chute du r\u00e9gime Khmer Rouge en tant que r\u00e9fugi\u00e9 apatride. Apr\u00e8s avoir \u00e9tudi\u00e9 en France \u00e0 l'Institut des Hautes Etudes Cin\u00e9matographiques (IDHEC) dans les ann\u00e9es 80, il signe son premier documentaire, Site 2, centr\u00e9 sur les camps de r\u00e9gi\u00e9\u00b7e\u00b7s cambodgien\u00b7ne\u00b7s, en 1989. 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